Mail & Guardian Online
THE SMART NEWS SOURCE | Mar 15 2010 08:11 | LAST UPDATED Mar 15 2010 08:11
Arts | Theatre

Woza Joshua! muses on Zimbabwe's future

PERCY ZVOMUYA | GRAHAMSTOWN, SOUTH AFRICA - Jul 05 2009 09:13
comments 0 comments | Post your comment


The ghost of the fragile government of national unity in Zimbabwe hovers over the National Arts Festival in Grahamstown in Woza Joshua! -- a production directed by Warren Nebe, head of the department of Dramatic Art at Wits University.

Featuring masters students Bheki and Clayton Ndlovu, the play is an adaptation of Woza Albert!, originally produced by Barney Simon, Percy Mtwa and Mbongeni Ngema. Written and performed in the dark days of apartheid, the production anticipated a saviour descending to save South Africans from their taskmasters.

The two actors play multiple roles -- a street vendor eking out a living on the streets of Zimbabwe and an exiled prostitute in South Africa -- as well as Zimbabwe's principal protagonists: Morgan Tsvangirai and Robert Mugabe.

"One of the questions the play asks is: has Zimbabwe fallen into the murky waters of artificial freedom that comes about as a result of political marriages of convenience and compromise?" the director says in the play's production notes.

The play is faithful to current political developments and shows Tsvangirai in the West, begging bowl in hand, courting foreign investors. In the background is the sly, manipulative figure of Mugabe, played passably by Clayton Ndlovu, who forces Tsvangirai to read from Zanu-PF's prepared script.

Woza Joshua! seems to be saying that Mugabe eventually manages to convert his opponents and co-opt them into his government. This happened with the late nationalist Joshua Nkomo, who signed a unity deal with Mugabe in 1987 that led to dissidents laying down their arms.

The actors seem to be saying that the situation won't improve in Zimbabwe unless there is real change. The present arrangement, like the one before it, might just be another pact between elites.

The acting could have been better and there was scope for the actors to inhabit their characters more naturally; but it's an interventionist production that has the potential to start an important dialogue.

CONTINUES BELOW
TOPICS IN THIS ARTICLE
Comments

You must be logged in to comment. Log in or sign up to comment
click here to log in

M&G Online Comment Guidelines In Brief

  • No hate speech;
  • No racist, sexist or homophobic remarks;
  • Keep it short;
  • Keep it on topic;
  • Show respect to all;
  • We reserve the right to remove or delete any comment without notice or reason.

Click here for the full Comment Guidelines

Advertising Links



LATEST ARTICLES IN THIS SECTION

Kalahari.net
Find all your Unisa books you require for your studies and get them delivered right to your doorstep!
It's sale time again with fantastic savings on 1 000s of titles. Get some of the best books at discounted prices now.
46 000 DVDs and Blu-Ray Dics to choose from. Get up to 60% off at the Orange Sale.
100s of new releases now in stock! Sade, Foo Fighters, John Mayer & more!
Lots of Toys, free gift wrap, lowest prices on Lego Mindstorm, Ben 10, Hannah Montana & more!




Follow the Mail & Guardian on Twitter!


Direct message us on our mailandguardian account to chat to the M&G Online team.
THIS WEEK'S PAPER

Advertisements


Advertising links